Showing posts with label steve rubell. Show all posts
Showing posts with label steve rubell. Show all posts

Thursday, October 2, 1986

Steve Rubell also told me while he was spraying spit all over me that Barry Diller was giving a big party for Calvin Klein's new marriage and where should he have it?
     I took Sam to the Whitney Museum party for Keith and Kenny that I was hosting. Michel Roux of Absolute Vodka was giving it. Keith asked me what big move stars I was bringing. He said Nick Rhodes was in town and I don't know why Nick hasn't called me. I know he's been here a while. He's being distant.
     Got to the Whitney early, had to do some press. Some museum people were there but Tom Armstrong wasn't. Later he said he didn't come down because he was "upstairs because it was cooler there. Jane Holzer came around 8:30 and we walked to Mortimer's and the block was roped off for the party.
     Peter Allen sang inside but I missed it and later when he asked me if I heard it and I said no, he turned away. Another distant person. If I run into Sylvia Miles and she's distant, I'll know I'm really in trouble. Then at 9:15 we left. Jane and I went to La Reserve at 4 West 49th for the dinner that Michel Roux was giving for Keith and Kenny, they've both done paintings of the Absolut Vodka bottle. Had fun there.
     Jane walked me home. I watched Letterman and I like the lady admiral he had on. Oh, and Quentin Crisp was at the Whitney and he looks younger than ever, just great. He told me that Letterman, when you're on his show, it's like being out with a gay guy -- you know how they're always looking past you, looking around for somebody better. He said that's what Letterman's like on the air.
     And I took my quarter-Valium and went to bed. And I guess I have to confess to the Diary that I am a Valium addict. I'm addicted. because I read in the paper the symptoms and I've got them. And starting in December you're going to need more signatures to get them, so I'll have to stock up now.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). 763-764. New York: Warner Books.

Wednesday, March 2, 1983

Victor told me he saw Jon at a gay club but I didn't say anything to Jon. And Chris keeps wanting to know if he can collect on the watch that I promised him if Jon would ... and I told him no, not yet. [NOTE: Although Jon Gould continued to keep an apartment of his own, he was now living in Andy's house, in the fourth-floor guest room.] And I was worn out from Victor telling me all the gossip about Halston, it made me nervous, about Halston throwing him out of the car and about Liza wearing a YSL. And this is the night I was going to the party for Liza's father at MOMA.
     And it was strange, because as Victor was telling me about all these fights with Halston he was screaming at me for not being a close close friend to Halston, accusing me of remaining on the surface and taking the benefits without the responsibility. Which I do do because I just don't want to be that close to Halston because he can really turn on you.
     Steve Rubell called while I was talking to Victor and he wanted to go to MOMA with us, and so I told him that Jane Holzer and I first were going to the Claus von Bulow party for Catherine.
     Called Victor and he said he was going to MOMA as Mrs. Halston. The new secretary said that Halston wouldn't be providing transportation, so I guess the times are changing.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 488-489. New York: Warner Books.

Thursday, November 25, 1982

Thanksgiving. It looked cold out. The office was closed. I'd woken up at 4:00 and turned on TV and some movie with Margot Kidder was on that I couldn't figure out but it made me so scared. It was the end and the police left her alone in the house--I don't know why, because she was traumatized--I guess they thought the crimes were over, and then you hear some guy upstairs, coming down, calling her name. And you don't know what'll happen. And it got me so scared. Got up. The house was empty.
     Talked to Chris and Peter. Peter's mother had come down from Massachusetts and they were cooking turkey and they invited me to come downtown.
     Wathced the Macy's parade on TV. They had the first woman balloon--Olive Oyl.
     I called Berkeley Reinhold and she was watching it from her window. She said her mother was making Thanksgiving dinner for the first time. Her father was in Hong Kong, so I called John Reinhold there, I dialed it direct. He was at the same hotel where we'd stayed, so it was easy to remember--the Mandarin. I made a faux pas. I told John his wife was making a Thanksgiving dinner, and hew was upset because she'd never made one before.
     Watched every soap opera and for the holiday every one of the shows had every one of their characters gathered for Thanksgiving dinners. It used to be high-class people in the soap operas and now that's just on Dallas and Dynasty. Now the poeple on the daytime soaps are lower middle-class--they don't have butlers and maids.
     Talked to Jon in New Hampshire.
     Went to Halston's for dinner and Martha Graham was there, and she looked frail, like she's on her last legs. And then Steve Rubell came, and Jane Holzer with her son Rusty, who's so handsome now. And he's smart. I talked to him the whole time. He goes to Buckley and he had the highest average and he studies all the time from after school till bedtime, and then he studies some more in the morning before school to maintain his 93 average. He said he and another kid were the only ones who knew the answer to the question "Who painted Campbell's Soup Cans?"
     Jade arrived with Bianca, she goes to Spence. And I had Rusty go say hello to her, and she was aloof, she said, "Do I know you?" and he said, "Of course," she she said, "Oh yes, about a year ago," and he said, "no, two years ago" and so he was annoyed, she was putting him down, but Jane explained to him that girls get nervous and do that.
     The turkey was organic, from Jane's Pennsylvania farm. I slipped out without saying goodbye to anyone.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 470. New York: Warner Books.

Thursday, December 24, 1981

 Steve Rubell wanted me to go to C.Z. Guest's Christmas thing in Old Westbury, but that would have meant an hour drive out there and an hour back. I didn't want to do anything difficult because I was so afraid I was getting sick. I could feel it in my throat. Jon called from Massachusetts and wanted to know what shirt size I wore. I was the only one home, so he had to ask me. He said he'd call Halston's at 10:00.
     Got home and was too tired, had some brandy and got drunk by the time I was supposed to go out. The dogs were with Jed, away for the holidays. Walked over to Halston's. Victor had called and given me the list of people who were going to be there, about twenty names, and I'd made up some packages to give them--snot rags with dollar signs. And a piece of sculpture.
     Liza was there though, and Victor hadn't said she would be and I didn't have anything for her, so I said I'd give her a Martha, and she was thrilled, she threw up her arms. Liza'd been to Harlem all day to visit the sick kids in the hospital. And that's the best thing to do. Jane Holzer and I said we'd do it next year. Liza's here seeing her father, he's dying of heart problems. Pat Cleveland was there, just over hepatitis, and she kissed everybody and my resistance is so low I think I'll get it. Jane told me finally that she's madly in love with Ian Schrager and I said I didn't want to hear it because I'd only tell her negative things and then she'd only report them to him who I do really like. I told her that she should just get his business sense from him and that's it.
     She'd had gold dimes made up, had them cast, and she gave one to me. She had them made up for Ian because he always puts dimes in his mouth for phone calls. It's such a clever gift.
     AT 3:00 Jane dropped me off and I took aspirin and packed and took a sleeping pill.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 422. New York: Warner Books.

Saturday, December 12, 1981

Halston called and invited me to dinner for Jade Jagger. Brought Jade a Dollar Sign painting. Bianca is trying to be a Communist, she's a Nicaraguan guerrilla now. Halston was funny telling her how beautiful she looked and how rich her clothes were, and I told her I'd just been to see Mrs. Marcos and she said how could I, and I said that if the Marcos regime fell it'd just be another Iran.
     Steve Rubell was there and Ian came, and Ian is having an affair with Jane Holzer, which I didn't know about, but he thought I did so he was talking as if I knew, trying to pump me about Jane. But he was after Bianca, too, he wanted to drop her off. Calvin called a couple of times for Steve. Calvin's kind of great. he does anything he wants--he takes ads in Interview and in WWD, and he goes to 54 and to Xenon--he doesn't let anyone push him around.
     Bianca's going down to testify about Nicaragua in Washington, I just don't know what she's thinking she's doing.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 420. New York: Warner Books.

Saturday, March 22, 1980

Worked till 7:30. Then cabbed to Si Newhouse's ($4) on East 70th Street--a big wide house. An art party. Bruno Bischofberger was there. And Mel Bochner the artist who was married to Dorothea Rockburn the artist and got ideas from her. And Mary Boone who said she'll give Ronnie a show, but he's not interested because she calls him every night at 4:00 in the morning. Carl Andre was there. I invited the Newhouse daughter to lunch on Monday, she's just a shy girl, but then I found out that her parents were divorced when she was little, so I don't know if she's in the bucks or not. Mark Lancaster was there.
   Bianca was talking on the phone to Steve Rubell in jail, and Steve was having to put in nickels every three minutes. Because you can't call them and you can't write them letters, or he doesn't want you to or something. Somebody asked him if the phone was tapped and he said, "no, no." But then somebody else was saying that when they talked to him before, they could hear a guy warning him to watch what he said. Another inmate giving him advice.
   Steve said he's having a wonderful time, that he's put on eleven pounds, and he had sloppy rice for dinner. He said that if he can get his liquor license back for Studio 54 then he'll liquidate, because it'll be easier to get rid of it with a liquor license.
     He said the top people were there. I think he said Sindona, but I'm not sure. He said Ian sleeps all the time. Bianca was saying all these things to him, like that she was going to Magique later to try it out and that she'd been at Xenon the night before. I guess she thinks that kind of talk--that that's the kind of talk that'll excite him. He kept putting nickels in. Bianca had John Samuels there, he got a haircut, and he looks fifteen."

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 273. New York: Warner Books.

Monday, December 31, 1979

I decided to make it easy and just go to Halston's for New Year's Eve. I wrapped gifts for Jade. Went over at 10:00. It was small there, black tie. Bob Denison and Jane Holzer were there, so I guess they've made up. Nancy North and Bill Dugan. Victor called from California and said he was having a good time out there. When the New Year came in we did kisses and ate. Dr. Giller was there. It was just so nice. Jade loved all the presents I brought her. Steve Rubell was there. Then at 3:00 Bianca wanted to go to Woody Allen's party at Harkness House on 75th. John Samuels had a car and double-parked.
     Woody's was the best party, wall-to-wall famous people, we should have gone earlier. Mia Farrow is so charming and such a beauty. Bobby De Niro was there and he's so fat. Really really fat. I know he gained weight for the boxing movie, but wouldn't it be funny if he could never lose it? He looks so ugly. He must be crazy, because he's really fat.
     Mick came in with Jerry, and Bianca ran over and was charming. I don't know how she did it but she got it over with, she broke the ice, they talked for about half an hour. She wanted to get Jerry nervous, which she did. Mick shaved off his beard so he looks really good.
     We went over to Studio 54 and the look was "ice." Ice wall-to-wall and dripping down the walls. Then Steve said, "Let's go down to the basement," so we did. He just about said, "Anybody have any cocaine?" He wanted it to be like the good old days. It was so filthy down there, with the garbage and everything. Winnie was there, without Tom Sullivan--she said he's in Hawaii.
     Then upstairs Dugay and the other hockey guy came in and I was trying to introduce them to Marina Schiano, but they said their real girlfriends were there, from Minnesota or Indianapolis or something, so they couldn't do anything. Then it was 6 A.M. and Marina and I left, and there was a riot outside, people still wanting to get in. Jack Hofsiss who directed Elephant Man went by in a limo and gave us a ride, there were about twenty boys in it. And I got out at Marina's because I knew if I stayed in it they'd invite me to go with them, and I wanted to get up and go to work.
     Marina invited me up for pizza and I went. I always hear that she gets the best food from all over the city, that she has the people who work for her bring salami from Brooklyn and pizza from Queens and things like that, so I wanted to try it out. It was sort of good, a really cheap kind of pizza, all dough and a little ketchup and a little cheese. Like the cheese doesn't come away when you eat it, there's not much. And when I was there I noticed that she had a pile of food on the stove, and she said it was for good luck, you're supposed to have it piled on the stove on New Year's. So I was there and we talked, and she was asking me about my house, and I told her how much it cost to run it, and she felt that I was being "real" and that she'd really gotten something out of me and that this meant we were friends or something, I don't. I was waiting for it to get light out, and it never did. I mean, it was 6:30 and it was still dark, and I thought the sun came up at 6:00, but I guess that last year when I left and it was light out it was 7:00, not 6:00.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 252-253. New York: Warner Books.

Wednesday, October 31, 1979

Bobby Zarem was having a lunch for the photo book -- Bob and I ended up calling it Exposures -- at 1:00 at Maxwell's Plum. So I stayed uptown in the morning and then met Elizinha Goncalves and Bob at the Mayfair House and we walked over to Maxwell's Plum and when we were half a block away Bobby Zarem ran toward us and screamed that we were late and how dare we and that people were waiting to see us. It was crowded, we had to work our way in. Karen Lerner was there filming for the segment she's doing on me for 20/20. She attached an invisible mike to me so I had to remember to watch what I said. It was a press party and it was basically everybody Bobby wanted to pay back for favors, I guess.
     They had big AW initials in ice, three feet high, but it was melting. I didn't eat anything. Everybody got a free book, at least 100 were given out. The waiters stole lots of books and then asked me to autograph them in the kitchen, bit I didn't mind because there were nice.
     Catherine was asking Steve Rubell personal questions, like, "You mean you actually did take all that money?" but he didn't seem to care. Now he's saying he made a deal with the IRS where he'll be going to jail for two days a week doing community service -- teaching people how to make discotheques on army bases for the soldiers. What a brilliant idea. Next they'll teach them how to be fairies and take drugs, right?
     Later we went over in a cab to Studio 54. Halloween was so big this year, people were really dressed up in the cars, outfits with lights blinking. At Studio 54 the place was done up just great. You walked in and there were ten doors on each side and you had to go through each one, and there were mice in plastic running under your feet. And another room had a hole and you looked in and there were eight midgets having dinner and you could talk to them. They were eating chicken bones. And then in the next room there were all these rubber gloves and some were real hands. It was better than an art opening, better than a gallery show. There were some other rooms I didn't go into. It was all great. Jammed, wall-to-wall people, beautiful, I don't know where they came from.
     And Esme the top model was there with Allen Finkelstein, but I wouldn't have recognized them if Tommy Pashun the florist hadn't told me, because they were dressed as Hasidic Jews, and they said that they were so amazed, that everyone was being so mean to them. A makeup guy at one of the Broadway plays had made them up. Dropped Catherine at 3:00 (cab $3.50).

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 247. New York: Warner Books.

Tuesday, October 30, 1979

I ran into Juan Hamilton who was coming down to the office later. He and Georgia O'Keeffe are at the Mayfair ($3.50). As I got to the office Joseph Beuys, the German artist, was getting out of a car with his children and Heiner Bastion -- about eight people. He kissed me on the mouth and I got nervous. I didn't know what to talk to him about. Heiner Friedrich and Philippa de Menil came by. And Robert Hayes had Sally Kellerman and Barry Diller and Barry McKinley there, and there was no room to sit down. And Heiner Bastion said I should photograph Beuys for a portrait. Then I was photographing Georgia and Juan in the back. It's too hard with famous people at the office all the same time because nobody can understand why anybody else is there. I worked until 4:00 with Georgia. Finally they all left.
     Later I went to the horse show at Madison Square Garden. I went over with a bunch of horse people to the Statler Hilton for scrambled eggs and bacon, I guess that's what horse people like to eat. It was good. I stole some silverware and then it was embarrassing because it fell out and everybody saw it. It was Statler Hilton silverware from the forties.
     At Studio 54 after that I ran into Steve Rubell who said that on Friday he was going to be sentenced to two months in jail, that he'd made a deal with the government -- they'd dropped the drug charges and he'd pleased guilty to income tax evasion. He asked if we'd come and visit him.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 246-247. New York: Warner Books.

Tuesday, August 7, 1979

Worked until 7:30. Halston was giving me a birthday party. He knew my birthday was the day before but I guess he just didn't want to have to do it on a Monday. It was nice, just for the kids from the office. Truman was there and D.D. Ryan told him that she liked the Siamese Twins interview he did with himself seven or eight years ago that was just like the one he did in this month's Interview, and he got very embarrassed and at first he denied he'd ever done one like it but then later he admitted that he had.
     Ronnie came with a girl dressed as a nurse who's a bartender at the Mudd Club. Then out came the birthday cake which was a huge baked cookie, like a famous Amos, only it looked like a big plop of shit, it was funny.
     Halston didn't give me the kind of expensive presents he did last year, I guess he though it was too hard to go through that and do it every year, so he broke the tradition and gave me twenty boxes. One had skates, another had a helmet, another had a radio, and then earphones, and then kneepads, and then gloves, and a How to Skate book. And Victor had his own skates, too, so we went outside and skated in front of the house. It was fun. Jane Holzer and Bob Denison came late. Then we ordered limos to go to Studio 54. Oh, and Steve game me a good present. A roll of 5,000 of the new free drink tickets he'd just had printed up for the new year.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 234. New York: Warner Books.

Friday, July 27, 1979

I'd just gone to bed at 6:00 but at 7:30 Halston was knocking on my door. He hates being away from New York and he wanted to get back, but it was a horror trip getting up. And the hotel was just so beautiful, it had the geraniums in the window and red awnings. And Steve didn't want to get up and go, either, but after a half-hour of coaxing he did get up. We had to sit and eat breakfast but it was torture. Victor had his own room upstairs that he'd gotten after having an agitation, and he was cranky.
     Halston really enjoys screaming. When he's paying he gets so grand and yells and tells everybody off about how rotten the service is for what he's paying, and when he pays the bill he makes you feel--well, he's like me, only worse.  He tells you how he has to go back to New York to slave so hard so he can make money so you can go on spending it all, and oh, God!--he makes you feel so funny about it. But then it is just incredible what hotels cost now.
     Finally Victor and everybody was in the car and we got to the Concorde on time, and Steve wasn't tipping the driver who hadn't even slept, he'd been out with us all night, so I gave him a fifty.
     As soon as we got on the plane everyone fell asleep. The stewardess woke Halston up and he screamed at her that she better not wake him up again.
     I wanted to get the Concorde silverware, and I wanted to wake Victor up and ask him to ask for food so I could get more settings--I'm working up to a twelve-piece setting--but I didn't wake him up so I only got one set. It was an easy flight. Then we went through customs and the customs guy used to be a cabdriver who had me in his cab once, so he sailed me right through. Got home and went to the office. Cab fares had gone up ($4).
     It was a hot day and when I got to the office nobody was doing a thing. Brigid was waiting for the cake lady from New Jersey to deliver a cake for her mother's birthday, she was taking it out to the country for her later on.
     David Whitney called and said I had to get some of the portraits to Paris, and I called Fred but I couldn't get him. Worked till about 7:30 with Rupert. Read my mail.


Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 231. New York: Warner Books.

Saturday, March 31, 1979

"Went to Studio 54 with Catherine and Stephen Graham. Catherine had also invited Jamie Blandford, the good-looking marquis who'll be the next Duke of Marlborogh. Jamie introduced me to Gunther Sachs son--it must have been from before Brigitte Bardot, he looked in his twenties. The place was crowded, it was like a subway. Stevie came over and told me a couple of stars that were there, but I can't remember who they were. One was "the new Shaun Cassidy," a blond kid, Leif something, he's making millions, they say. Garrett. Then I had John Scribner talking in one ear about John Samuels, IV, and in the other ear Cindy the Hustler from Columbus talking about John Samuels IV. And she was jealous because he'd dropped her for Larissa.
     Studio 54 was a lot of fun. I went up in the balcony and Halston was there with Lester, and if you say, "This is Lester Persky the producer of Hair," these boys just get down on their knees. They absolutely get down on their knees. And then Halston invited me to the next night's birthday party for Victor. Jamie wanted to go to the basement, but Catherine and I didn't go with him."

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). New York: Warner Books.

[NOTE: Gunther Sachs owned Halston's former house at 101 East. 63rd Street]

Tuesday, June 6, 1978

Adriana Jackson and Clarisse Rivers and Princess Marina of I guess Greece came to lunch (cab downtown $3) and they told about going the night before to the enema doctor who Sam Green and Kenny Lane and Maxime have been going to who also (laughs) does readings. And they all looked into the crystal ball they guy had and nobody could see anything because there was so much shit and dirt and candlelight. The guy told Nicky Weymouth he saw a plane crash but later she got on the Concorde anyway, although she was shaking, and it didn't crash. But they all say they're going back to him anyway. How can people go back when they know that what the person said didn't happen?
     Christopher Sykes came by, too, and he sang the newspaper in falsetto and opera, which I've always wanted to do. He sang the story about the girl going to the erotic dentist and another story about a chicken. I told him I would manage him and book him at Reno Sweeney's and Trax, but he said he only performs for friends. He's another poor-rich English kid.
     At Trax, Tom Sullivan told Catherine that yes, they're boyfriend and girlfriend, but that they shouldn't let it show in public because it cramps his style with other girls.
     Rupert's assistant told me that blonds aren't big in the gay world anymore, and it's true -- it's the hot tamales like Victor who make out now.
     The new club called Xenon is opening tonight. Stevie called Bob and asked him to spy there for him.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 141. New York: Warner Books.

Tuesday, October 11, 1977

Cabbed up to Parke Bernet, got a few catalogues because they seem to be the best reference books (cab $2, books $24). Ran into Kenny Jay Lane who's put his whole house and furnishings up for auction -- now that he's getting divorced from Nicky Weymouth he can present it as something he's doing "for the settlement." Whey you see all his junk together, it really looks bad.
     Went to Chembank ($4). Steve Aronson was at 860 looking around, he had a beautiful girl with him. He says he can't start editing Popism until next week. Vincent was off in Montauk, checking on the place -- Jay Johnson and Tom Cashin are still out there roofing and repairing. By closing time Vincent still wasn't back, so I locked the place up myself. And when it's my responsibility, I get so nervous I do things like pull out the plugs to the Xerox machines so they won't start a spontaneous combustion; I decided I would risk leaving the refrigerator on. When I got home there was a message from Barry Landau, somehow he'd gotten my number. So now the three worst people to have your unlisted number have mine -- Bob Weiner, Steve Rubell, and Barry Landau.
     Lester Persky Called and invited me to a screening of Equis. I loved Peter Firth, he was wonderful and Richard Burton was wonderful. The movie has the longest nudity. Usually when they photograph a cock they make it fall in the shadows and the shadows always fall where the cock is. But in this movie the cock always falls right where you can see it. Peter Firth's dick gets in the way when he moves. It's the biggest cock on screen and not circumcised. As big as Joe Dallesandro's.
     Peter Firth came over to me, he'd imported a girl from England for all the publicity and she was there and we had a good time. There was lots of food, but I'd already eaten. Then Peter Firth wanted to take the girl dancing so we walked over to Studio 54 for the Elton John thing. Stevie invited us all up to the booth where Michael Jackson was and Michael was sweet -- in his high voice he asked me about art. David Hockney was there. The photographers were there and wanted Elton John and me to pose for pictures together so I asked Elton if I could kiss him, but he didn't answer me so I didn't. Maybe he didn't hear me. He was wearing a hat because of his hair transplant.
     In order to get out of Studio 54 alone, I had to avoid all the boys I've been accepting rides and dates from lately. I had to look nervous and run around so no one would follow me -- you know, the "frantic" technique.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 80-81. New York: Warner Books.