Lord Jermyn was giving a dinner for Fred at the Odeon (Cab $8). It's such a long ride down there. Mick Jagger arrived and that was the big moment, everybody in the place got excited. And Charlie Watts was with him. No Jerry. They were on the loose. Julian Schnabel still wants to paint me, and he says Saturday is the only day he can do it because he's going away. He gets $40,000 for a portrait, he's the Jim Dine of the eighties. He's copies people's work and he's pushy and he's a friend of Ronnie's and he's married a rich girl already. I'm going to have to sit for it. He does it abstract, anyway, but I guess I have to because he wants the inspiration.
I ordered sweetbreads which I hate so that I wouldn't eat anything. Then we went to John Samuels's birthday party at his father's big loft on Broadway. Jane Holzer was talking about Ian Schrager, she's so hot for him, she said he's the best sex, and we sat there talking till 2:00 so I missed Jon's call from California.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 434-435. New York: Warner Books.
Showing posts with label Jerry Hall. Show all posts
Showing posts with label Jerry Hall. Show all posts
Thursday, June 5, 1980--Houston
We all went to the Cadillac Bar for lunch which has really good Mexican food. And I was sitting with this crowd from Dallas-Fort Worth.
I met Travolta at lunch again. Got an autograph on a napkin.
They all have these big Jerry Hall accents. And they all love Jerry because they can talk real Texas with her. We had frogs' legs and beef and chicken and shrimps, everything barbecued and chilied and guacamoled. And it was so hot out, it was like ninety-five degrees. And the air-conditioning broke down and the Texans say, "Turn up the AC! Maybe need some freon, Charlie." And then we went to a few Western Shops to get our costumes for the Urban Cowboy premiere.
We finally got back to the hotel around 5:00. Everyone met in my room. Jerry was wearing a solid gold and rhinestone skintight cowboy suit with matching hat that George Hamilton gave her that he had worn in the Hank Williams movie, and she said that Alana wanted it so badly and he never would give it to her and so not to tell Alana.
Then we got into a limo and went to the Gay Lynn theater, it was named after Lynn Wyatt. And there were thousands of paparazzi and fans because they'd never had a world premiere in Houston before. And they were screaming., "Andy! Andy! Andy! Andy Warhol!" And Jerry and I were posing for pictures. And then Jerry and Lynn Wyatt were standing in front of the theater with the TV crew and Lynn was becoming like Barbara Walters: "And now we have the famous artist, Andy Warhol, and Jerry and Cyndy Hall who're stars in the movie, and say, Jerry, where'd you get that costume?" Very professional, she was wearing purple suede with her great figure. And we got in the theater and sat down and in front of us were Liz Smith and Iris Love in matching cowgirl outfits. And Liz's brother, because Liz is from Texas.
And Diane Von Furstenberg was walking up and down the aisles like she owned the place. She was wearing tight pants and a little top and a vest with a little sheriff's badge that said "Disco Sucks." And then she was wearing two tons of diamond and gold jewelry from the forties. And Barry Diller was sitting right behind us, and then in walks John Travolta with a thousand people around him, and he sat down right behind us, and everyone was going crazy with the photographers and stuff, and and we were all jumping in with our cameras. And then the movie started and everyone loved it.
Afterwards we took our limo to Gilley's where they shot the movie. We left one second early so we got there before the mob (tip $20 to the driver). There was a mob scene around where Barry Diller and I were sitting because John Travolta sat down two inches away. His eyes are like--dyed--blue green. I mean, really deep blue. And he has the most beautiful smile. Hiss teeth must be polished every day. And his skin is beautiful. And he's so nice. And he says nice things to everyone. And he was telling the most to this girl he thought was with us, but she was a DVF groupie. And Diane is so desperate to be recognized that if one person says, "You're Diane Von Furstenberg, I love you," she says, "come with me," and she makes them follow her around for the rest of the night so that she can have a following, and then she gives them presents--she carries lipsticks and compacts with her to give out, and she autographs them.
And, well, once Travolta was at our table it became really impossible because the crow just pushed in on us, and this policeman was standing right behind trying to protect us, and he was drunk, the policeman, and I said, "Don't look now, Bob, but you have a big gun and a big cock one inch from your neck." And the policeman said, "Can I do anything for you?" and Bob laughed and said, "Just stay right here." And he did. And he had two guns in his holster, very good-looking, and he kept hugging us and bumping into us and rubbing his cock against us and saying, "is there anything you need, anything you want?" But he was great because he kept screaming to the waitress and got all this food for us. The whole table. And all these drinks, and beer. And he said, "You're not eating your pepper," to Bob, and Bob said, "Are you kidding? It's so hot, I only took one bite," and he said, "Well, I'll just show you how to eat a pepper," and he took the whole big thing and slipped it in his mouth and ate it and then winked at Bob.
I was the second biggest star after John Travolta. But a distant second. He got the most fans after him. They were screaming on stage that everyone was going to have to leave if they didn't let John Travolta have some room.
Got home around 1:00. Started to read Princess Daisy, it's an awful book, but they mention me in it, so it's something for the box. It said Daisy was too chic to go to an Andy Warhol party in London.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 291-293. New York: Warner Books.
I met Travolta at lunch again. Got an autograph on a napkin.
They all have these big Jerry Hall accents. And they all love Jerry because they can talk real Texas with her. We had frogs' legs and beef and chicken and shrimps, everything barbecued and chilied and guacamoled. And it was so hot out, it was like ninety-five degrees. And the air-conditioning broke down and the Texans say, "Turn up the AC! Maybe need some freon, Charlie." And then we went to a few Western Shops to get our costumes for the Urban Cowboy premiere.
We finally got back to the hotel around 5:00. Everyone met in my room. Jerry was wearing a solid gold and rhinestone skintight cowboy suit with matching hat that George Hamilton gave her that he had worn in the Hank Williams movie, and she said that Alana wanted it so badly and he never would give it to her and so not to tell Alana.
Then we got into a limo and went to the Gay Lynn theater, it was named after Lynn Wyatt. And there were thousands of paparazzi and fans because they'd never had a world premiere in Houston before. And they were screaming., "Andy! Andy! Andy! Andy Warhol!" And Jerry and I were posing for pictures. And then Jerry and Lynn Wyatt were standing in front of the theater with the TV crew and Lynn was becoming like Barbara Walters: "And now we have the famous artist, Andy Warhol, and Jerry and Cyndy Hall who're stars in the movie, and say, Jerry, where'd you get that costume?" Very professional, she was wearing purple suede with her great figure. And we got in the theater and sat down and in front of us were Liz Smith and Iris Love in matching cowgirl outfits. And Liz's brother, because Liz is from Texas.
And Diane Von Furstenberg was walking up and down the aisles like she owned the place. She was wearing tight pants and a little top and a vest with a little sheriff's badge that said "Disco Sucks." And then she was wearing two tons of diamond and gold jewelry from the forties. And Barry Diller was sitting right behind us, and then in walks John Travolta with a thousand people around him, and he sat down right behind us, and everyone was going crazy with the photographers and stuff, and and we were all jumping in with our cameras. And then the movie started and everyone loved it.
Afterwards we took our limo to Gilley's where they shot the movie. We left one second early so we got there before the mob (tip $20 to the driver). There was a mob scene around where Barry Diller and I were sitting because John Travolta sat down two inches away. His eyes are like--dyed--blue green. I mean, really deep blue. And he has the most beautiful smile. Hiss teeth must be polished every day. And his skin is beautiful. And he's so nice. And he says nice things to everyone. And he was telling the most to this girl he thought was with us, but she was a DVF groupie. And Diane is so desperate to be recognized that if one person says, "You're Diane Von Furstenberg, I love you," she says, "come with me," and she makes them follow her around for the rest of the night so that she can have a following, and then she gives them presents--she carries lipsticks and compacts with her to give out, and she autographs them.
And, well, once Travolta was at our table it became really impossible because the crow just pushed in on us, and this policeman was standing right behind trying to protect us, and he was drunk, the policeman, and I said, "Don't look now, Bob, but you have a big gun and a big cock one inch from your neck." And the policeman said, "Can I do anything for you?" and Bob laughed and said, "Just stay right here." And he did. And he had two guns in his holster, very good-looking, and he kept hugging us and bumping into us and rubbing his cock against us and saying, "is there anything you need, anything you want?" But he was great because he kept screaming to the waitress and got all this food for us. The whole table. And all these drinks, and beer. And he said, "You're not eating your pepper," to Bob, and Bob said, "Are you kidding? It's so hot, I only took one bite," and he said, "Well, I'll just show you how to eat a pepper," and he took the whole big thing and slipped it in his mouth and ate it and then winked at Bob.
I was the second biggest star after John Travolta. But a distant second. He got the most fans after him. They were screaming on stage that everyone was going to have to leave if they didn't let John Travolta have some room.
Got home around 1:00. Started to read Princess Daisy, it's an awful book, but they mention me in it, so it's something for the box. It said Daisy was too chic to go to an Andy Warhol party in London.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 291-293. New York: Warner Books.
Wednesday, June 4, 1980--New York--Houston
We got to Lynn Wyatt's house, fifty people for dinner, and she had cream of crab soup and then barbecued fillet Mignon that'd been marinated for twenty-four hours and hot curried fruit and homemade Rice-a-Roni which Joan Quinn who was there said was Armenian-style. And creamed spinach and then this great dessert which was fruit ice cream piled onto a big meringue. And the dinner was for Diane Von Furstenberg and Barry Diller. There were all these crazy people from Dallas and Fort Worth. They were really rich with big rocks and they were really vulgar and funny. Divorced and out for kicks.
And then after dinner we went into the living room and everyone loved Lynn's portrait. Diane said she loved it so much that she wanted me to do her kids' portraits, but I know she doesn't mean it. And then John Travolta arrived with thirty people. He was going to come to dinner but he wanted to bring thirty people so Lynn had said no. And he's so good-looking. He had on a black silk shirt and a bright green linen jacket and black pants, and his eyes are so blue. He was with this cute little girl and a lot of bodyguards., and with Jim Bridges, who directed Urban Cowboy. And then there was Debra Winger who's the female star of the movie, and she's great, we want to do something with her. She told me about high colonics and that she's full of shit. Her family was there, and her boyfriend. He was cute, Jewish.
And Barbara Allen and Jerry Hall were making fun of ladies with jewels right in front of their faces. And Maxine Mesinger the gossip columnist came with John Travolta, too, and she gave him a dinner first. Then we got a ride with Barry and Diane. Barry got mad because Jerry and her sister Cyndy and Fred were so drunk they wouldn't let him out of the car at his hotel, and he wasn't in that good a mood anyway, that's just how Barry is. He told Jerry to shut up and she got really hurt. And Fred was pretending to stick his finger up Jerry and her sister and then sticking it in everybody's noses."
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 291. New York: Warner Books.
And then after dinner we went into the living room and everyone loved Lynn's portrait. Diane said she loved it so much that she wanted me to do her kids' portraits, but I know she doesn't mean it. And then John Travolta arrived with thirty people. He was going to come to dinner but he wanted to bring thirty people so Lynn had said no. And he's so good-looking. He had on a black silk shirt and a bright green linen jacket and black pants, and his eyes are so blue. He was with this cute little girl and a lot of bodyguards., and with Jim Bridges, who directed Urban Cowboy. And then there was Debra Winger who's the female star of the movie, and she's great, we want to do something with her. She told me about high colonics and that she's full of shit. Her family was there, and her boyfriend. He was cute, Jewish.
And Barbara Allen and Jerry Hall were making fun of ladies with jewels right in front of their faces. And Maxine Mesinger the gossip columnist came with John Travolta, too, and she gave him a dinner first. Then we got a ride with Barry and Diane. Barry got mad because Jerry and her sister Cyndy and Fred were so drunk they wouldn't let him out of the car at his hotel, and he wasn't in that good a mood anyway, that's just how Barry is. He told Jerry to shut up and she got really hurt. And Fred was pretending to stick his finger up Jerry and her sister and then sticking it in everybody's noses."
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 291. New York: Warner Books.
Monday, December 31, 1979
I decided to make it easy and just go to Halston's for New Year's Eve. I wrapped gifts for Jade. Went over at 10:00. It was small there, black tie. Bob Denison and Jane Holzer were there, so I guess they've made up. Nancy North and Bill Dugan. Victor called from California and said he was having a good time out there. When the New Year came in we did kisses and ate. Dr. Giller was there. It was just so nice. Jade loved all the presents I brought her. Steve Rubell was there. Then at 3:00 Bianca wanted to go to Woody Allen's party at Harkness House on 75th. John Samuels had a car and double-parked.
Woody's was the best party, wall-to-wall famous people, we should have gone earlier. Mia Farrow is so charming and such a beauty. Bobby De Niro was there and he's so fat. Really really fat. I know he gained weight for the boxing movie, but wouldn't it be funny if he could never lose it? He looks so ugly. He must be crazy, because he's really fat.
Mick came in with Jerry, and Bianca ran over and was charming. I don't know how she did it but she got it over with, she broke the ice, they talked for about half an hour. She wanted to get Jerry nervous, which she did. Mick shaved off his beard so he looks really good.
We went over to Studio 54 and the look was "ice." Ice wall-to-wall and dripping down the walls. Then Steve said, "Let's go down to the basement," so we did. He just about said, "Anybody have any cocaine?" He wanted it to be like the good old days. It was so filthy down there, with the garbage and everything. Winnie was there, without Tom Sullivan--she said he's in Hawaii.
Then upstairs Dugay and the other hockey guy came in and I was trying to introduce them to Marina Schiano, but they said their real girlfriends were there, from Minnesota or Indianapolis or something, so they couldn't do anything. Then it was 6 A.M. and Marina and I left, and there was a riot outside, people still wanting to get in. Jack Hofsiss who directed Elephant Man went by in a limo and gave us a ride, there were about twenty boys in it. And I got out at Marina's because I knew if I stayed in it they'd invite me to go with them, and I wanted to get up and go to work.
Marina invited me up for pizza and I went. I always hear that she gets the best food from all over the city, that she has the people who work for her bring salami from Brooklyn and pizza from Queens and things like that, so I wanted to try it out. It was sort of good, a really cheap kind of pizza, all dough and a little ketchup and a little cheese. Like the cheese doesn't come away when you eat it, there's not much. And when I was there I noticed that she had a pile of food on the stove, and she said it was for good luck, you're supposed to have it piled on the stove on New Year's. So I was there and we talked, and she was asking me about my house, and I told her how much it cost to run it, and she felt that I was being "real" and that she'd really gotten something out of me and that this meant we were friends or something, I don't. I was waiting for it to get light out, and it never did. I mean, it was 6:30 and it was still dark, and I thought the sun came up at 6:00, but I guess that last year when I left and it was light out it was 7:00, not 6:00.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 252-253. New York: Warner Books.
Woody's was the best party, wall-to-wall famous people, we should have gone earlier. Mia Farrow is so charming and such a beauty. Bobby De Niro was there and he's so fat. Really really fat. I know he gained weight for the boxing movie, but wouldn't it be funny if he could never lose it? He looks so ugly. He must be crazy, because he's really fat.
Mick came in with Jerry, and Bianca ran over and was charming. I don't know how she did it but she got it over with, she broke the ice, they talked for about half an hour. She wanted to get Jerry nervous, which she did. Mick shaved off his beard so he looks really good.
We went over to Studio 54 and the look was "ice." Ice wall-to-wall and dripping down the walls. Then Steve said, "Let's go down to the basement," so we did. He just about said, "Anybody have any cocaine?" He wanted it to be like the good old days. It was so filthy down there, with the garbage and everything. Winnie was there, without Tom Sullivan--she said he's in Hawaii.
Then upstairs Dugay and the other hockey guy came in and I was trying to introduce them to Marina Schiano, but they said their real girlfriends were there, from Minnesota or Indianapolis or something, so they couldn't do anything. Then it was 6 A.M. and Marina and I left, and there was a riot outside, people still wanting to get in. Jack Hofsiss who directed Elephant Man went by in a limo and gave us a ride, there were about twenty boys in it. And I got out at Marina's because I knew if I stayed in it they'd invite me to go with them, and I wanted to get up and go to work.
Marina invited me up for pizza and I went. I always hear that she gets the best food from all over the city, that she has the people who work for her bring salami from Brooklyn and pizza from Queens and things like that, so I wanted to try it out. It was sort of good, a really cheap kind of pizza, all dough and a little ketchup and a little cheese. Like the cheese doesn't come away when you eat it, there's not much. And when I was there I noticed that she had a pile of food on the stove, and she said it was for good luck, you're supposed to have it piled on the stove on New Year's. So I was there and we talked, and she was asking me about my house, and I told her how much it cost to run it, and she felt that I was being "real" and that she'd really gotten something out of me and that this meant we were friends or something, I don't. I was waiting for it to get light out, and it never did. I mean, it was 6:30 and it was still dark, and I thought the sun came up at 6:00, but I guess that last year when I left and it was light out it was 7:00, not 6:00.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 252-253. New York: Warner Books.
Tuesday, June 28, 1977
Went down to the office were Interview was having a lunch for the Schenley's liquor people. I was in and out of lunch because I was painting with the sponge mop in the back. I haven't peed on any canvases this week. This is for the Piss paintings. I told Ronnie not to pee when he gets up in the morning -- to try to hold it until he gets to the office, because he takes lot of vitamin B so the canvas turns a really pretty color when it's his piss. Answered a few phone calls myself. A couple of cute kids from Sweden came by. Sent Ronnie for photo supplies ($5.95).
Cabbed to "21" ($5.50). Vincent picked me up. It had just started to rain. Dinner was with Peter Beard and his friend Harry Horn from Kenya. People were streaming upstairs for a dinner that Diane Von Furstenberg was giving for Egon's birthday. I was surprised when I saw Diane's mother -- she didn't look Jewish, she was small and blonde. Then Mick in a lime suit came in with Jerry Hall. I thought things were fishy with Mick and Jerry and then the plot started to thicken. Mick was so out of it that I could tell the waiters were scared he'd pass out. His head was so far back and he was singing to himself. The top part of his body was like jelly and the bottom half was tapping 3,000 taps a minute. He was putting his sunglasses on and off. Mick started going after Vincent, but it was just a ruse, because I found out later from Fred he's really passionately in love with Jerry, and it looks like there's trouble for Bianca. Jerry was saying , "I really have to go," and when Peter was going to go with her to get a cab she said, "Oh, that's all right, Mick will drop me off."
Then we went next door for a continuing party for Egon, this one given at New York/New York by Diane de Beauvau. Franco Rossellini was there with a big black and blue nose, and you couldn't see anything but that, but I wanted to be discreet in case somebody had hit him, so I ignored it until Franco said finally, "By the way, have you noticed my nose? My little dog bit me." He has a dachshund, so I got nervous. He took it to a funeral and the dachshund, Felix, got upset and bit his nose and wouldn't let go.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 55-56. New York: Warner Books.
Cabbed to "21" ($5.50). Vincent picked me up. It had just started to rain. Dinner was with Peter Beard and his friend Harry Horn from Kenya. People were streaming upstairs for a dinner that Diane Von Furstenberg was giving for Egon's birthday. I was surprised when I saw Diane's mother -- she didn't look Jewish, she was small and blonde. Then Mick in a lime suit came in with Jerry Hall. I thought things were fishy with Mick and Jerry and then the plot started to thicken. Mick was so out of it that I could tell the waiters were scared he'd pass out. His head was so far back and he was singing to himself. The top part of his body was like jelly and the bottom half was tapping 3,000 taps a minute. He was putting his sunglasses on and off. Mick started going after Vincent, but it was just a ruse, because I found out later from Fred he's really passionately in love with Jerry, and it looks like there's trouble for Bianca. Jerry was saying , "I really have to go," and when Peter was going to go with her to get a cab she said, "Oh, that's all right, Mick will drop me off."
Then we went next door for a continuing party for Egon, this one given at New York/New York by Diane de Beauvau. Franco Rossellini was there with a big black and blue nose, and you couldn't see anything but that, but I wanted to be discreet in case somebody had hit him, so I ignored it until Franco said finally, "By the way, have you noticed my nose? My little dog bit me." He has a dachshund, so I got nervous. He took it to a funeral and the dachshund, Felix, got upset and bit his nose and wouldn't let go.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 55-56. New York: Warner Books.
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