Halston called and invited me to dinner for Jade Jagger. Brought Jade a Dollar Sign painting. Bianca is trying to be a Communist, she's a Nicaraguan guerrilla now. Halston was funny telling her how beautiful she looked and how rich her clothes were, and I told her I'd just been to see Mrs. Marcos and she said how could I, and I said that if the Marcos regime fell it'd just be another Iran.
Steve Rubell was there and Ian came, and Ian is having an affair with Jane Holzer, which I didn't know about, but he thought I did so he was talking as if I knew, trying to pump me about Jane. But he was after Bianca, too, he wanted to drop her off. Calvin called a couple of times for Steve. Calvin's kind of great. he does anything he wants--he takes ads in Interview and in WWD, and he goes to 54 and to Xenon--he doesn't let anyone push him around.
Bianca's going down to testify about Nicaragua in Washington, I just don't know what she's thinking she's doing.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 420. New York: Warner Books.
Showing posts with label Studio 54. Show all posts
Showing posts with label Studio 54. Show all posts
Monday, December 31, 1979
I decided to make it easy and just go to Halston's for New Year's Eve. I wrapped gifts for Jade. Went over at 10:00. It was small there, black tie. Bob Denison and Jane Holzer were there, so I guess they've made up. Nancy North and Bill Dugan. Victor called from California and said he was having a good time out there. When the New Year came in we did kisses and ate. Dr. Giller was there. It was just so nice. Jade loved all the presents I brought her. Steve Rubell was there. Then at 3:00 Bianca wanted to go to Woody Allen's party at Harkness House on 75th. John Samuels had a car and double-parked.
Woody's was the best party, wall-to-wall famous people, we should have gone earlier. Mia Farrow is so charming and such a beauty. Bobby De Niro was there and he's so fat. Really really fat. I know he gained weight for the boxing movie, but wouldn't it be funny if he could never lose it? He looks so ugly. He must be crazy, because he's really fat.
Mick came in with Jerry, and Bianca ran over and was charming. I don't know how she did it but she got it over with, she broke the ice, they talked for about half an hour. She wanted to get Jerry nervous, which she did. Mick shaved off his beard so he looks really good.
We went over to Studio 54 and the look was "ice." Ice wall-to-wall and dripping down the walls. Then Steve said, "Let's go down to the basement," so we did. He just about said, "Anybody have any cocaine?" He wanted it to be like the good old days. It was so filthy down there, with the garbage and everything. Winnie was there, without Tom Sullivan--she said he's in Hawaii.
Then upstairs Dugay and the other hockey guy came in and I was trying to introduce them to Marina Schiano, but they said their real girlfriends were there, from Minnesota or Indianapolis or something, so they couldn't do anything. Then it was 6 A.M. and Marina and I left, and there was a riot outside, people still wanting to get in. Jack Hofsiss who directed Elephant Man went by in a limo and gave us a ride, there were about twenty boys in it. And I got out at Marina's because I knew if I stayed in it they'd invite me to go with them, and I wanted to get up and go to work.
Marina invited me up for pizza and I went. I always hear that she gets the best food from all over the city, that she has the people who work for her bring salami from Brooklyn and pizza from Queens and things like that, so I wanted to try it out. It was sort of good, a really cheap kind of pizza, all dough and a little ketchup and a little cheese. Like the cheese doesn't come away when you eat it, there's not much. And when I was there I noticed that she had a pile of food on the stove, and she said it was for good luck, you're supposed to have it piled on the stove on New Year's. So I was there and we talked, and she was asking me about my house, and I told her how much it cost to run it, and she felt that I was being "real" and that she'd really gotten something out of me and that this meant we were friends or something, I don't. I was waiting for it to get light out, and it never did. I mean, it was 6:30 and it was still dark, and I thought the sun came up at 6:00, but I guess that last year when I left and it was light out it was 7:00, not 6:00.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 252-253. New York: Warner Books.
Woody's was the best party, wall-to-wall famous people, we should have gone earlier. Mia Farrow is so charming and such a beauty. Bobby De Niro was there and he's so fat. Really really fat. I know he gained weight for the boxing movie, but wouldn't it be funny if he could never lose it? He looks so ugly. He must be crazy, because he's really fat.
Mick came in with Jerry, and Bianca ran over and was charming. I don't know how she did it but she got it over with, she broke the ice, they talked for about half an hour. She wanted to get Jerry nervous, which she did. Mick shaved off his beard so he looks really good.
We went over to Studio 54 and the look was "ice." Ice wall-to-wall and dripping down the walls. Then Steve said, "Let's go down to the basement," so we did. He just about said, "Anybody have any cocaine?" He wanted it to be like the good old days. It was so filthy down there, with the garbage and everything. Winnie was there, without Tom Sullivan--she said he's in Hawaii.
Then upstairs Dugay and the other hockey guy came in and I was trying to introduce them to Marina Schiano, but they said their real girlfriends were there, from Minnesota or Indianapolis or something, so they couldn't do anything. Then it was 6 A.M. and Marina and I left, and there was a riot outside, people still wanting to get in. Jack Hofsiss who directed Elephant Man went by in a limo and gave us a ride, there were about twenty boys in it. And I got out at Marina's because I knew if I stayed in it they'd invite me to go with them, and I wanted to get up and go to work.
Marina invited me up for pizza and I went. I always hear that she gets the best food from all over the city, that she has the people who work for her bring salami from Brooklyn and pizza from Queens and things like that, so I wanted to try it out. It was sort of good, a really cheap kind of pizza, all dough and a little ketchup and a little cheese. Like the cheese doesn't come away when you eat it, there's not much. And when I was there I noticed that she had a pile of food on the stove, and she said it was for good luck, you're supposed to have it piled on the stove on New Year's. So I was there and we talked, and she was asking me about my house, and I told her how much it cost to run it, and she felt that I was being "real" and that she'd really gotten something out of me and that this meant we were friends or something, I don't. I was waiting for it to get light out, and it never did. I mean, it was 6:30 and it was still dark, and I thought the sun came up at 6:00, but I guess that last year when I left and it was light out it was 7:00, not 6:00.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 252-253. New York: Warner Books.
Wednesday, October 31, 1979
Bobby Zarem was having a lunch for the photo book -- Bob and I ended up calling it Exposures -- at 1:00 at Maxwell's Plum. So I stayed uptown in the morning and then met Elizinha Goncalves and Bob at the Mayfair House and we walked over to Maxwell's Plum and when we were half a block away Bobby Zarem ran toward us and screamed that we were late and how dare we and that people were waiting to see us. It was crowded, we had to work our way in. Karen Lerner was there filming for the segment she's doing on me for 20/20. She attached an invisible mike to me so I had to remember to watch what I said. It was a press party and it was basically everybody Bobby wanted to pay back for favors, I guess.
They had big AW initials in ice, three feet high, but it was melting. I didn't eat anything. Everybody got a free book, at least 100 were given out. The waiters stole lots of books and then asked me to autograph them in the kitchen, bit I didn't mind because there were nice.
Catherine was asking Steve Rubell personal questions, like, "You mean you actually did take all that money?" but he didn't seem to care. Now he's saying he made a deal with the IRS where he'll be going to jail for two days a week doing community service -- teaching people how to make discotheques on army bases for the soldiers. What a brilliant idea. Next they'll teach them how to be fairies and take drugs, right?
Later we went over in a cab to Studio 54. Halloween was so big this year, people were really dressed up in the cars, outfits with lights blinking. At Studio 54 the place was done up just great. You walked in and there were ten doors on each side and you had to go through each one, and there were mice in plastic running under your feet. And another room had a hole and you looked in and there were eight midgets having dinner and you could talk to them. They were eating chicken bones. And then in the next room there were all these rubber gloves and some were real hands. It was better than an art opening, better than a gallery show. There were some other rooms I didn't go into. It was all great. Jammed, wall-to-wall people, beautiful, I don't know where they came from.
And Esme the top model was there with Allen Finkelstein, but I wouldn't have recognized them if Tommy Pashun the florist hadn't told me, because they were dressed as Hasidic Jews, and they said that they were so amazed, that everyone was being so mean to them. A makeup guy at one of the Broadway plays had made them up. Dropped Catherine at 3:00 (cab $3.50).
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 247. New York: Warner Books.
They had big AW initials in ice, three feet high, but it was melting. I didn't eat anything. Everybody got a free book, at least 100 were given out. The waiters stole lots of books and then asked me to autograph them in the kitchen, bit I didn't mind because there were nice.
Catherine was asking Steve Rubell personal questions, like, "You mean you actually did take all that money?" but he didn't seem to care. Now he's saying he made a deal with the IRS where he'll be going to jail for two days a week doing community service -- teaching people how to make discotheques on army bases for the soldiers. What a brilliant idea. Next they'll teach them how to be fairies and take drugs, right?
Later we went over in a cab to Studio 54. Halloween was so big this year, people were really dressed up in the cars, outfits with lights blinking. At Studio 54 the place was done up just great. You walked in and there were ten doors on each side and you had to go through each one, and there were mice in plastic running under your feet. And another room had a hole and you looked in and there were eight midgets having dinner and you could talk to them. They were eating chicken bones. And then in the next room there were all these rubber gloves and some were real hands. It was better than an art opening, better than a gallery show. There were some other rooms I didn't go into. It was all great. Jammed, wall-to-wall people, beautiful, I don't know where they came from.
And Esme the top model was there with Allen Finkelstein, but I wouldn't have recognized them if Tommy Pashun the florist hadn't told me, because they were dressed as Hasidic Jews, and they said that they were so amazed, that everyone was being so mean to them. A makeup guy at one of the Broadway plays had made them up. Dropped Catherine at 3:00 (cab $3.50).
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 247. New York: Warner Books.
Tuesday, October 30, 1979
I ran into Juan Hamilton who was coming down to the office later. He and Georgia O'Keeffe are at the Mayfair ($3.50). As I got to the office Joseph Beuys, the German artist, was getting out of a car with his children and Heiner Bastion -- about eight people. He kissed me on the mouth and I got nervous. I didn't know what to talk to him about. Heiner Friedrich and Philippa de Menil came by. And Robert Hayes had Sally Kellerman and Barry Diller and Barry McKinley there, and there was no room to sit down. And Heiner Bastion said I should photograph Beuys for a portrait. Then I was photographing Georgia and Juan in the back. It's too hard with famous people at the office all the same time because nobody can understand why anybody else is there. I worked until 4:00 with Georgia. Finally they all left.
Later I went to the horse show at Madison Square Garden. I went over with a bunch of horse people to the Statler Hilton for scrambled eggs and bacon, I guess that's what horse people like to eat. It was good. I stole some silverware and then it was embarrassing because it fell out and everybody saw it. It was Statler Hilton silverware from the forties.
At Studio 54 after that I ran into Steve Rubell who said that on Friday he was going to be sentenced to two months in jail, that he'd made a deal with the government -- they'd dropped the drug charges and he'd pleased guilty to income tax evasion. He asked if we'd come and visit him.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 246-247. New York: Warner Books.
Later I went to the horse show at Madison Square Garden. I went over with a bunch of horse people to the Statler Hilton for scrambled eggs and bacon, I guess that's what horse people like to eat. It was good. I stole some silverware and then it was embarrassing because it fell out and everybody saw it. It was Statler Hilton silverware from the forties.
At Studio 54 after that I ran into Steve Rubell who said that on Friday he was going to be sentenced to two months in jail, that he'd made a deal with the government -- they'd dropped the drug charges and he'd pleased guilty to income tax evasion. He asked if we'd come and visit him.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 246-247. New York: Warner Books.
Tuesday, August 7, 1979
Worked until 7:30. Halston was giving me a birthday party. He knew my birthday was the day before but I guess he just didn't want to have to do it on a Monday. It was nice, just for the kids from the office. Truman was there and D.D. Ryan told him that she liked the Siamese Twins interview he did with himself seven or eight years ago that was just like the one he did in this month's Interview, and he got very embarrassed and at first he denied he'd ever done one like it but then later he admitted that he had.
Ronnie came with a girl dressed as a nurse who's a bartender at the Mudd Club. Then out came the birthday cake which was a huge baked cookie, like a famous Amos, only it looked like a big plop of shit, it was funny.
Halston didn't give me the kind of expensive presents he did last year, I guess he though it was too hard to go through that and do it every year, so he broke the tradition and gave me twenty boxes. One had skates, another had a helmet, another had a radio, and then earphones, and then kneepads, and then gloves, and a How to Skate book. And Victor had his own skates, too, so we went outside and skated in front of the house. It was fun. Jane Holzer and Bob Denison came late. Then we ordered limos to go to Studio 54. Oh, and Steve game me a good present. A roll of 5,000 of the new free drink tickets he'd just had printed up for the new year.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 234. New York: Warner Books.
Ronnie came with a girl dressed as a nurse who's a bartender at the Mudd Club. Then out came the birthday cake which was a huge baked cookie, like a famous Amos, only it looked like a big plop of shit, it was funny.
Halston didn't give me the kind of expensive presents he did last year, I guess he though it was too hard to go through that and do it every year, so he broke the tradition and gave me twenty boxes. One had skates, another had a helmet, another had a radio, and then earphones, and then kneepads, and then gloves, and a How to Skate book. And Victor had his own skates, too, so we went outside and skated in front of the house. It was fun. Jane Holzer and Bob Denison came late. Then we ordered limos to go to Studio 54. Oh, and Steve game me a good present. A roll of 5,000 of the new free drink tickets he'd just had printed up for the new year.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 234. New York: Warner Books.
Labels:
Bob Denison,
D.D. Ryan,
Halston,
Jane Holzer,
Ronnie Cutrone,
steve rubell,
Studio 54,
Truman Capote
Saturday, February 17, 1979
I told Susan Blond I'd meet her at the Palladium Theater down on 14th Street to see an English group called the Clash (Cab $5). Ron Delsner took us to a little room. We sat around there and then a couple came in who I didn't recognize but it turned out to be Carrie Fisher and Paul Simon. I never recognize him. Bruce Springsteen came in and I didn't recognize him, either. He was sweet, he said, "Hello, remember me?" and he took off his glove to shake hands. I met him at Madison Square Garden when I took a picture of him that I wasn't supposed to.
Blondie -- Debbie Harry -- was there and when we got backstage there was Nico! With John Cale! And she looks beautiful again, absolutely beautiful, she's finally thin in the face. her hair's dark brown, but John's having her dye it bright red. They're opening at CBGB and she's going to sing "Femme Fatale" from the first Velvet Underground album and John's going to play his violin. She's staying at the Chelsea.
The Clash are cute but they all have bad teeth, sticks and stumps. And they scream about getting rid of the rich. One of them said he didn't want to go anywhere downtown -- that he wanted to be shown uptown. So I said okay, we'd go to Xenon and Studio 54.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 206. New York: Warner Books.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 206. New York: Warner Books.
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