Thursday, April 29, 1982 [Building photo date match]

Jane Fonda was coming down at 2:00 and I had a beauty class at 1:00. Fred and I had a big fight about the makeup person and he had to go out to cool off. Then he came back. Jane Fonda had her own hairdresser and her own makeup person with her, and she was on crutches and she was oh-so-charming because she was wanting something free. Really charming. She asked about Geraldine Smith and Eric Emerson who she and Vadim once took back to their hotel room with them after meeting them at the Factory. I told her Eric was in heaven and Geraldine was in the the phone book.
   I had Brigid stitching away on the new sewing machine I bought because I want to sew my photographs together, but then it turned out that the best sewer is my bodyguard, the ex-marine Agosto, because he worked in a sweatshop in Hawaii before he went into the marines.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 441. New York: Warner Books.

Tuesday, April 20, 1982

It was a busy afternoon. Fassbinder and his producer came by, I told him I loved the movie. then they went out and the producer came back and said he'd left Fassbinder in a porno shop in the Village. He's strange, Fassbinder. He was nice when I introduced him to the boys at the office, but when I introduced him to Lidija the exercise teacher he was peculiar.
     I called Edmund Gaultney because Calvin Klein had asked me to get in touch with Georgia O'Keeffe because he wanted to meet her and buy a painting. And then I called Juan Hamilton and he was being grand, he said that Calvin could fly to Albuquerque but he didn't know if Georgia would see him, and I said that Calvin didn't do things like that and he said, "That's how it goes." So I called Calvin and told him that he should call Juan himself, because really, it's all personality.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 439. New York: Warner Books.