Bob and I were talking about ow hard it was to find Ten Straight Men, and somebody said that should be my next portfolio--ten men who've never had a homosexual experience.
I had to meet Marjorie Copley, who was having her picture taken for a portrait. Rupert was the makeup person. She's light, her hair was in pigtails and she took them out and it went down to her ass, she'd just washed it and it smelled good. We had lunch. She's going to school. She was a science major but she wasn't smart enough and now she wants to do social sciences and I told her oh no. Bill looks great. The only thing we're still worried about is that she did fire all the people who worked for him. She didn't seem pushy or tough like I expected, though. she just did whatever I asked her to. She was nice.
Jed bought the apartment right across the hall from Stuart Pivar's in the building on West 67th Street next to the Cafe des Artistes. He's going to to use it as an office for his decorating business so his clients and all the workmen won't be tramping in and out of the house all day anymore, so that'll be a relief.
I called Jane Holzer. I said I'd pick her up for the Diane Von Furstenberg party for Diana Vreeland. Worked till 8:00, then cabbed ($5.50) to pick Jane up at the Volney on 74th and Madison where she's got the penthouse with Rusty now, Jane's apartment is small but nice. Rusty answered the door and he's put on weight because I guess he spent the summer with his father, Lenny, but he's so charming. It's like listening to Cary Grant. He says, "Love to you, Mommy." Jane's now in investing and real estate and movies.
So then cabbed to DVF's ($3). As soon as we got to the building Warren Beatty walked in behind us, but when he saw us he went outside again, he didn't want to go into the same elevator. I told Jane he'd come in and then gone out again and she said that if he'd seen her he wouldn't have done that. Right after we got upstairs Warren came in and he kissed Jane and I told him, "Oh Warren, you're so mean, you wouldn't ride up with us," and he said he was looking for someone he was supposed to meet downstairs. But he didn't come in with anyone, so ... He looked sexy but a little older and a little puffier--his hair's that Hollywood way, you know, that looks like a hat? Richard Gere was there and I introduced him to Jane and he said, "Oh baby Jane, you're a legend. I read about you in Popism." Apollonia was there and Iman and a beautiful young girl named Diane Lane--I don't know if she was with Lou Adler or not.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 339. New York: Warner Books.
Thursday, October 16, 1980
Vincent was setting up to videotape the interview that John Richardson was going to do with Paloma. She came with her husband Raphael and the friend, Xavier. The Tiffany's guy arrived with the jewelry.
And David White came by with a letter from Rauschenberg--David works for him now--saying that the tables I have were done by him, because he did them when Jane Holtzer was trying to go into the art furniture business in the late sixties or early seventies, and then the business fell through, and I got them. So it's great, that Rauschenberg wrote the letter saying they were by him because now maybe someday he'll sign them.
Then Juan Hamilton called and said that he and Georgia O'Keefe were at the Mayfair and they were coming down at 4:30, and I said to come right away because Paloma was there, so they did. Everyone was thrilled with everyone.
People thought Juan was going to marry Georgia, but he just got married to someone else and now his wife is expecting a baby. Georgia was wearing a black thing around her head. This time she seemed really old. You have to catch her every minute as if she'll sit in a chair that isn't there. But on the video Vincent made she looked young and alert. She does know everything that's going on, it's just that she moves older now.
Then they all left. Rupert came up and then I got some work done. Worked till 8:30 and Jay Shriver agreed to stay late, too. Then because they worked overtime I invited Rupert and Jay to 65 Irving and I had John Reinhold meet us there. Jay's from Milwaukee. He said his mother is all Czechoslovakian. Not from there, but a hundred percent.
Oh and Mary Tyler Moor's son committed suicide and now Ordinary People is really going to do business and everybody's going to really hate her because they'll be thinking that that's really the way she is.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 336-337. New York: Warner Books.
And David White came by with a letter from Rauschenberg--David works for him now--saying that the tables I have were done by him, because he did them when Jane Holtzer was trying to go into the art furniture business in the late sixties or early seventies, and then the business fell through, and I got them. So it's great, that Rauschenberg wrote the letter saying they were by him because now maybe someday he'll sign them.
Then Juan Hamilton called and said that he and Georgia O'Keefe were at the Mayfair and they were coming down at 4:30, and I said to come right away because Paloma was there, so they did. Everyone was thrilled with everyone.
People thought Juan was going to marry Georgia, but he just got married to someone else and now his wife is expecting a baby. Georgia was wearing a black thing around her head. This time she seemed really old. You have to catch her every minute as if she'll sit in a chair that isn't there. But on the video Vincent made she looked young and alert. She does know everything that's going on, it's just that she moves older now.
Then they all left. Rupert came up and then I got some work done. Worked till 8:30 and Jay Shriver agreed to stay late, too. Then because they worked overtime I invited Rupert and Jay to 65 Irving and I had John Reinhold meet us there. Jay's from Milwaukee. He said his mother is all Czechoslovakian. Not from there, but a hundred percent.
Oh and Mary Tyler Moor's son committed suicide and now Ordinary People is really going to do business and everybody's going to really hate her because they'll be thinking that that's really the way she is.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 336-337. New York: Warner Books.
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