Went to meet Jean Michel Basquiat and did a workout with Lidija (cab $5).
The Scull kid called and yelled at me for messing up his limousine the last time, for spilling soda.
Chris called and said that Peter's mother wanted to adopt Brian, I mean ...
Keith Haring came by with his black boyfriend and I took pictures. They were so lovey-dovey in the photos, it was nutty to see. The big chalk drawing of a pregnant woman on 53rd and Fifth that we thought was his --- it turns out it is, and we're trying to get it. He did it a while ago.
Picked up Cornelia and Sean McKeon and Maura in the limo, to drive out to Shea Stadium to see the Police, and Cornelia had hundreds of sandwiches and champagne. The rain came down in buckets.
Ron Delsener was there and I guess he wants to be in society because he was smooching Cornelia and Maura. Francois de Menil came in with Laverne of Laverne and Shirley. And Cornelia just goes in and out. She falls asleep on your arm, she just passes right out, and then she wakes up and has this energy.
Sting came over and said hello, he looked a little old. He was with a girl, I think it was his wife. And Matt Dillon! Matt Dillon was there. Oh he's so good-looking. And the girls finally by the time it was time to go had just gotten to the point where they were talking to him and they didn't want to go. We may get him for a cover after all.
Left, dropped everyone.
My sister-in-law just called. She said that she came by my house last night right when it started raining. So I guess I just missed her. And she said she's stopping by today, but I told her I'm not going to be there.
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 520-521. New York: Warner Books.
Showing posts with label Maura Moynihan. Show all posts
Showing posts with label Maura Moynihan. Show all posts
Thursday, June 16, 1983
Timothy Hutton came to be interviewed by Maura and me. Maura, I could tell, wasn't really hot for him, the sparks weren't flying. But (laughs) I was hot for him. He was so adorable. He looked scruffy. He's just finished Daniel.
Frank Zappa came to be interviewed for our TV show and I think that after the interview I hated Zappa even more than when it started. I remember when he was so mean to us when the Mothers of Invention played with the Velvet Underground -- I think both at the Trip, in L.A. , and at the Fillmore in San Francisco. I hated him then and I still don't like him. And he was awfully strange about Moon. I said how great she was, and he said, "Listen, I created her. I invented her." Like, "She's nothing, it's all about me." And I mean, if it were my daughter I would be saying "Gee, she's so smart" but he's taking all the credit. It was peculiar.
Then Stellan from Sweden was waiting and we went over to Sandro Chia's on West 23rd and 10th Avenue. And he has almost the whole building now. He has a lithographic press that he want other artists to use. I guess he's making it like a foundation, a tax thing. And he's supposed to be giving me a picture, and that's why I wanted to go over there, but he gave me one I didn't like. I wanted a Floating Man one. And Benjamin said he looked in Chia's eyes and that they were "wild eyes." And afterwards I said to Benjamin, "Well what do you mean?" I said, "Look into my eyes and what do you see?" And Benjamin said, "Troubled eyes." I said, "Oh who do you think you are?"
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 507. New York: Warner Books.
Frank Zappa came to be interviewed for our TV show and I think that after the interview I hated Zappa even more than when it started. I remember when he was so mean to us when the Mothers of Invention played with the Velvet Underground -- I think both at the Trip, in L.A. , and at the Fillmore in San Francisco. I hated him then and I still don't like him. And he was awfully strange about Moon. I said how great she was, and he said, "Listen, I created her. I invented her." Like, "She's nothing, it's all about me." And I mean, if it were my daughter I would be saying "Gee, she's so smart" but he's taking all the credit. It was peculiar.
Then Stellan from Sweden was waiting and we went over to Sandro Chia's on West 23rd and 10th Avenue. And he has almost the whole building now. He has a lithographic press that he want other artists to use. I guess he's making it like a foundation, a tax thing. And he's supposed to be giving me a picture, and that's why I wanted to go over there, but he gave me one I didn't like. I wanted a Floating Man one. And Benjamin said he looked in Chia's eyes and that they were "wild eyes." And afterwards I said to Benjamin, "Well what do you mean?" I said, "Look into my eyes and what do you see?" And Benjamin said, "Troubled eyes." I said, "Oh who do you think you are?"
Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 507. New York: Warner Books.
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