Tuesday, August 14, 1984

Brigid's pug walked across the painting I'd just done. He had orange and purple feet. Madame Defarge kept knitting away. Worked till 7:00. I didn't go to dinner with Edmund Gaultney and the people who want to do a portfolio. Hedy and Kent Klineman. She's a friend of Jane Holzer's. But I just get this feeling about it: People finance a portfolio and then start to get nervous and dump all the prints (cab $7).
     Home at 10:30. Watched Ann Jillian play Mae West and she was good. They always give them a big love affair, they make that the big thing.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 595. New York: Warner Books.

Tuesday, April 20, 1982

It was a busy afternoon. Fassbinder and his producer came by, I told him I loved the movie. then they went out and the producer came back and said he'd left Fassbinder in a porno shop in the Village. He's strange, Fassbinder. He was nice when I introduced him to the boys at the office, but when I introduced him to Lidija the exercise teacher he was peculiar.
     I called Edmund Gaultney because Calvin Klein had asked me to get in touch with Georgia O'Keeffe because he wanted to meet her and buy a painting. And then I called Juan Hamilton and he was being grand, he said that Calvin could fly to Albuquerque but he didn't know if Georgia would see him, and I said that Calvin didn't do things like that and he said, "That's how it goes." So I called Calvin and told him that he should call Juan himself, because really, it's all personality.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 439. New York: Warner Books.