Tuesday, December 16, 1980

Truman was reading at Lincoln Center and Brigid decided she wasn't going to go because she felt too fat, but she made me promise to swear that she was there if he asked. Jane Holzer was sending the limo to pick me up. It was the Mitzi Newhouse Theater, we had fourth-row center, next to Halston and Martha Graham. Lester [Persky] was there, and Suzi Frankfurt, and Rex Reed. It wasn't completely sold-out, but it was pretty filled. Truman was cute, he explained each thing first, he got up on his toes and snapped his fingers and it was like disco and that was the best part. He read and acted the parts out. He read the maid story, and he read "A Christmas Memory" and a couple of other ones. Then afterward everybody was telling him how wonderful he was, because it was all friends. Rex told him the reading "touched my soul." Truman was shaking. The first thing he asked me was where Brigid and I swore she was there, and he said, "Well, then where is she?" and I said she had to go home, but I think he knew.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 349. New York: Warner Books.

NOTES: Suzi Frankfurt

Tuesday, December 9, 1980

The news was the same news that had been on all night, pictures of John [Lennon] and old film clips. Had to take Archie and Amos down to the office to be looked at by the Lewis Allen dummy people (cab $5). When I got there Howdy Doody was waiting for me. I'm doing his portrait, he's one of the Big Myths.
     After I photographed Howdy, I got into the barber's chair that the dummy people brought. They did the back of my head, they put a wig hat on me. There were two photographers and Ronnie was taking 3-D pictures. They put a gook on and covered my ears and eyes. They said, Pinch me if you want to get out of it." It was making me sick, and I had a cold, and I had phlegm that I couldn't cough up, it was awful They finally took the mold off but then they dropped it. They were saying. "We can save it, we can save it." But then they said they might have to do another one and I said, "No you're not." They stuck my hands in some more gook and that got some air bubbles so they lost a couple of fingers on that try. Then they did my teeth. And while this was going on, Ron Reagan arrived, he'd just had lunch with his father at the Waldorf. I was so out of it I couldn't really talk. Bob had given Doria the day off -- she's working for him now -- but she didn't go to the Waldorf lunch because Nancy couldn't get over the idea that her son had married without her consent.
     And Bob was feeling his oats becasue the collector's issue of the Daily News that had "John Lennon Shot" headlines is the one that had the big story on him in it--"The Man Behind Andy Warhol." It was a long article, but it was boring.
     I watched the John Lennon news and it's so scary. I mean, the other day, the kid named Michael who's been writing me letters for five years just walked in -- somebody buzzed him in -- and he walked over and handed me another letter and left. Where does he live? In institutions?

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 347-348. New York: Warner Books.

Monday, October 27, 1980

Bob and I were talking about ow hard it was to find Ten Straight Men, and somebody said that should be my next portfolio--ten men who've never had a homosexual experience.
     I had to meet Marjorie Copley, who was having her picture taken for a portrait. Rupert was the makeup person. She's light, her hair was in pigtails and she took them out and it went down to her ass, she'd just washed it and it smelled good. We had lunch. She's going to school. She was a science major but she wasn't smart enough and now she wants to do social sciences and I told her oh no. Bill looks great. The only thing we're still worried about is that she did fire all the people who worked for him. She didn't seem pushy or tough like I expected, though. she just did whatever I asked her to. She was nice.
     Jed bought the apartment right across the hall from Stuart Pivar's in the building on West 67th Street next to the Cafe des Artistes. He's going to to use it as an office for his decorating business so his clients and all the workmen won't be tramping in and out of the house all day anymore, so that'll be a relief.
     I called Jane Holzer. I said I'd pick her up for the Diane Von Furstenberg party for Diana Vreeland. Worked till 8:00, then cabbed ($5.50) to pick Jane up at the Volney on 74th and Madison where she's got the penthouse with Rusty now, Jane's apartment is small but nice. Rusty answered the door and he's put on weight because I guess he spent the summer with his father, Lenny, but he's so charming. It's like listening to Cary Grant. He says, "Love to you, Mommy." Jane's now in investing and real estate and movies.
     So then cabbed to DVF's ($3). As soon as we got to the building Warren Beatty walked in behind us, but when he saw us he went outside again, he didn't want to go into the same elevator. I told Jane he'd come in and then gone out again and she said that if he'd seen her he wouldn't have done that. Right after we got upstairs Warren came in and he kissed Jane and I told him, "Oh Warren, you're so mean, you wouldn't ride up with us," and he said he was looking for someone he was supposed to meet downstairs. But he didn't come in with anyone, so ... He looked sexy but a little older and a little puffier--his hair's that Hollywood way, you know, that looks like a hat? Richard Gere was there and I introduced him to Jane and he said, "Oh baby Jane, you're a legend. I read about you in Popism." Apollonia was there and Iman and a beautiful young girl named Diane Lane--I don't know if she was with Lou Adler or not.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 339. New York: Warner Books.

Thursday, October 16, 1980

Vincent was setting up to videotape the interview that John Richardson was going to do with Paloma. She came with her husband Raphael and the friend, Xavier. The Tiffany's guy arrived with the jewelry.
     And David White came by with a letter from Rauschenberg--David works for him now--saying that the tables I have were done by him, because he did them when Jane Holtzer was trying to go into the art furniture business in the late sixties or early seventies, and then the business fell through, and I got them. So it's great, that Rauschenberg wrote the letter saying they were by him because now maybe someday he'll sign them.
     Then Juan Hamilton called and said that he and Georgia O'Keefe were at the Mayfair and they were coming down at 4:30, and I said to come right away because Paloma was there, so they did. Everyone was thrilled with everyone.
     People thought Juan was going to marry Georgia, but he just got married to someone else and now his wife is expecting a baby. Georgia was wearing a black thing around her head. This time she seemed really old. You have to catch her every minute as if she'll sit in a chair that isn't there. But on the video Vincent made she looked young and alert. She does know everything that's going on, it's just that she moves older now.
     Then they all left. Rupert came up and then I got some work done. Worked till 8:30 and Jay Shriver agreed to stay late, too. Then because they worked overtime I invited Rupert and Jay to 65 Irving and I had John Reinhold meet us there. Jay's from Milwaukee. He said his mother is all Czechoslovakian. Not from there, but a hundred percent.
     Oh and Mary Tyler Moor's son committed suicide and now Ordinary People is really going to do business and everybody's going to really hate her because they'll be thinking that that's really the way she is.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 336-337. New York: Warner Books.

Wednesday, July 16, 1980--Monte Carlo

French TV came and asked me how did it feel to come "from the underground" to this glamorous place, and I told them they were full of baloney because I'd come here so many times and it wasn't "from the underground." And then I did a radio program and then I ran upstairs and found that Jed had gotten the copy of L'Uomo Vogue with me on the cover which makes me look so awful, and there were a lot of good-looking people inside wearing bluejeans.
     We divided up in cars and went out to have lunch with Helene Rochas and Juliete Greco's sister Charlotte and her architect husband. Everybody went swimming and we had bullshots and were so great, and then we had lunch, the best fish I ever had, the best food, it was just so glamorous, breaded fish with anise and then we had anise down by the swimming pool and we dished everybody. And then we left around 5:00 and Rocksavage dropped us off.
     There was a birthday dinner for Lynn Wyatt but I haven't bought her anything yet. Johnny Carson was going to be there and I couldn't wait to meet him. We ran into Maxine Mesinger in the lobby, she's that wonderful gossip reporter from Houston, she came here just for Lynn's birthday party.
     Got dressed, cabbed to Lynn's in Cap Ferrat ($35). We thought we'd be early but we weren't. We got there and Estee Lauder was there and Lynn took me around to introduce me to people. And the first person she introduced me to was Johnny Carson. That was really exciting. He's not short. He's tall. He has grey hair and he looks so healthy. I took lots of pictures of him. And his wife Joanna is beautiful, she used to be a model with Norell so we dished the dresses and fashion and junk like that and I didn't take any pictures, I was just too--I thought it would be too much. Everybody was too scared to sit at the Johnny Carson table but David Niven sat with him and we sat with Liz Smith who was sitting at the last table by the swimming pool. And then the king or prince of Yugoslavia said he had a Mao painting of mine.
     Everybody sang "Happy Birthday" to Lynn and then they had great fireworks, all the way around. A lot of sparkles and pink smoke and really loud firecrackers.
     There's so much in the papers about Ronald Reagan and it looks like he's on his way to become president, it does look scary. I voted once. In the fifties, I don't remember which election. I pulled the wrong lever because I was confused, I couldn't figure out how to work the thing. There was no practice model outside, it was a church on 35th street between park and Lex. This was when I was living at 242 Lexington. And then I got called for jury duty and I wrote back: "Moved." I've never voted again.

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 303-304. New York: Warner Books.

Friday, July 11, 1980--Monte Carlo

 We picked up Jamie and Phyllis and I apologized to Phyllis for pushing her over the night before. I told her she and Jamie were dancing so beautifully that I got jealous. When I started to dance with Phyllis I didn't know that she cant' go backwards so I fell on her and then Jamie fell on her and we were all caught by somebody but it was just too nutty. So I apologized and we all got in the car and went out to Cap Ferrat to see Lynn Wyatt who now has Somerset Maugham's old house, the Villa Maresque that I just read about in the biography, and it was just everything I really wanted to see and look at. It took us a while to get there, the traffic was bad.
     Lynn was wearing a dress that was split up the sides and you could see all her breasts and she just had a little bikini on and she looked beautiful, she has a great body. I think she was trying to get Jamie excited. And they have sort of the same last name. Everybody thinks it's her son who's having a show there.
     And then Sandra Hochman walked in and she was just so boring, rattling on and on, she told me she's had a boyfriend who's just bought an apartment in Monte Carlo. She said he discovered fast food-- he owns Tad's Steak Houses--and she told me any time I wanted to give a chic party there she'd fix it up for me.
     I asked Lynn to do an interview for Interview because David Niven and his wife came in and I told David that I'd just been reading all about him in the papers because he's been suing David Merrick. He was great-looking, he was so thin, and his wife was pencil-thin. And Sandra was just yapping away about all her books and she was so pushy we couldn't understand how she knew Lynn and it turns out she went to Bennington with her.
     David Niven was so cute, he told us good stories and Jamie fell in love with him. Then we had to get back to the hotel because we were meeting Princess Grace at 4:00 in the lobby to show here the exhibition, it was down in one of the dining rooms.
     We went up to our rooms and glued ourselves together, and then we came down. Just Jamie and Phyllis and Freddy Woolworth and Fred were invited. Jed was still at the beach. And we had to get in line to meet Princess Grace. I was the first one, and we were just all making funny jokes about standing in line and finally when we turned around there she was, and she had a little tummy. We were supposed to kiss her hand but I refused to kiss her hand and so we shook hands and she didn't really like me, she just liked Jamie. And then when Grace found out that Phyllis was a big du Pont, she was really social climbing, so she was really nice. And then we had to go show her the pictures, and I was trying to be funny but it just didn't go over too well. And we chit-chatted about Cousteau and the fish museum that's up near her palace and Jamie said that his father knew her father, they live in New Jersey now, they don't live in Philadelphia. And we were talking about, I don't know, just really boring things, she never let her hair down. And I told her that I heard she paints, and she said she just does collages, she had a big show in France that was a sellout. And I asked her what else was she doing, and finally she told me that she's on the lecture circuit in the United States reading poetry. She does a circuit tour like Truman for a couple of weeks so she brings home the bucks. And finally after forty-five minutes of chitchat she decided to go. And when she left she thought the security guard that has the revolver and watches the paintings for the Coe Kerr Gallery was Freddy Woolworth. So it was really funny, she told he she loved the show.
     Fred and I had to go upstairs because I was doing a portrait. Mrs. Benedetti, who thought she looked like Marilyn Monroe. And I made her take off her clothes and put on white makeup. She kept posting like Marilyn with her mouth open and stuff and she was old, but she came out really easy, I had my contacts in and I couldn't really see but everything was fine.
     Went off to a couple of cocktail parties down at the Loews, which is a a hotel that was decorated by Sharon Hammond's mother Mrs. Long but they have private apartments there, too. Douglas Cooper was giving a party and this lady named Madame Plesch--Ettie Plesch--was giving one, too, and they're not talking to each other so you had to be careful and not say that you went to the other one.
     Then Regine invited us all down to Jimmy'z and John Larsen was there with his wife and he's that really great guy, an old friend of Edie Sedgwick's and mine from years ago, and now he's really Jamie's friend. He and Jamie are great dancers. And it was getting late and I was tired. And then Bo Polk arrived and he brought this beautiful girl along with him and then Phyllis saw Jamie dancing cheek-to-cheek with the girl and she went up to them on the dance floor and hit Jamie with her cane. And he got embarrassed because he was really dancing close.


Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). 300-302. New York: Warner Books.

Tuesday, July 1, 1980

Got up early in the morning in order to meet Bob in order to meet Paloma and Lester at MOMA (cab $3). We went around the exhibit with Paloma, she was talking and Lester was being funny, and it was exhausting, it's three floors. A guy in a wheelchair asked me for my autograph, and I said, "Don't you want Paloma Picasso's?"And he said yes, so Paloma signed and then I signed and then we had to leave because Paloma had to get back to Tiffany's where they sell her jewelry.
     Old Mrs. Newhouse came to see the portraits of her husband, but her son was with her and he fell in love with the diamond-dust ones.
     Oh, and David Whitney came by, we're talking to him about maybe redoing the Jewish Museum show and I'm doing a portrait of him because he's been so nice. He brought his tux, he really looked cute in it. He invited me to Thursday dinner with Philip Johnson, he said he'll send a car for me, that anyone as big as I am should have a car -- he was being funny.
     Brigid went on a candy binge. She said she was going out for cigarettes but Robyn noticed that she took more money than she'd need for cigarettes, so when she got back I said, "I see chocolate on your mouth." I didn't really see any, but that worked and she admitted she'd had ice cream.
     Glued myself together and went to Cote Basque to help Suzie Frankfurt celebrate -- she just got almost a million for her house and she bought a cheaper one. Mr. and Mrs. Law arrived. I think Mrs. Law is Standard Oil rich and I don't know exactly what her husband does, maybe he invests her money. That's what usually happens when you marry a rich woman. Or maybe he's rich himself, who knows. She wants me to retouch her portrait because now she's made her hair lighter. It'll probably turn out to be one of those "living portraits" where I have to to [sic] keep doing things to it.
     We went over to Bonds. And John Samuels was there and he's so mean to me now. I think he tries to be nice, but he can't help himself, he says mean things. I'll have to ask him why. We were there for a few minutes. Mr. Law was dancing around and his wife said that he would get a heart attack. Oh, and Bob was there and he looked so sour. He feels he can't have fun unless he has a drink. And he and Fred are the same -- if there's no princes, they look so bored.
    

Warhol, A. (1989). The Andy Warhol Diaries (P. Hackett, Ed.). Pg. 297-298. New York: Warner Books.